Join Curator Meg Onli on a public tour of her exhibition Speech/Acts. ICA’s Public Curator-Led Tours offer a unique opportunity to learn about our current exhibitions from the curators themselves. These tours cover the overarching themes and broader contexts of the exhibitions, highlight key works, and give insight into the curatorial process.
This tour will last about 60 minutes, and is free and open to the public. Register here.
Speech/Acts is organized by Assistant Curator Meg Onli. The exhibition explores experimental black poetry and how the social and cultural constructs of language have shaped black American experiences. The exhibition will also feature prose and poetry by Morgan Parker and Simone White, as well as a satellite outpost for The Racial Imaginary Institute (TRII), founded by poet Claudia Rankine. The immersive and interactive environment of Speech/Acts will invite participation and response, challenge how social realities are manipulated and formed, and illuminate the slippages between speech and noise. A fully illustrated catalogue co-published with Futurepoem will accompany the exhibition, featuring reprints of seminal texts by Fred Moten and Harryette Mullen, newly commissioned poetry by Morgan Parker and Simone White, and an essay from the curator.
Meg Onli is a curator and writer whose work attends to the intricacies of race and the production of space. Prior to joining Institute of Contemporary Art she was the Program Coordinator at the Graham Foundation for Advanced Studies in the Fine Arts. While at the Graham Foundation she worked on the exhibitions Architecture of Independence: African Modernism and Barbara Kasten: Stages. In 2010 she created the website Black Visual Archive for which she was awarded a 2012 Creative Capital/Warhol Foundation Arts Writers Grant. In 2014 she was the recipient of a research grant from the Graham Foundation for the collaborative project Remaking the Black Metropolis: Contemporary Art, Urbanity, and Blackness in America with curator Jamilee Polson Lacy. Onli holds a Master’s degree in art history from the Courtauld Institute of Art. Her writing has appeared in Art21, Daily Serving, and Art Papers.