The Institute of Contemporary Art and the Stuart Weitzman School of Design at the University of Pennsylvania are pleased to present an artist lecture and conversation with Eric Mack, whose tactile creations are informed by the rhythmic properties of shape, form, and pattern that occur in daily life and how they structure our visual experiences.
This free public lecture is part of a series that gathers distinguished artists, activists, writers, and disruptors whose work engages with the social and cultural themes of our time.
Captioning will be available for this program via Zoom.
If you require any accessibility accommodations such as audio description or ASL interpretation, or have any questions about the program, please contact Brittany Clottey at email@example.com.
About this series
The Institute of Contemporary Art and the Stuart Weitzman School of Design at the University of Pennsylvania are pleased to present a series of free public lectures and conversations that connect a group of distinguished artists, writers, activists, and disruptors to the Philadelphia public.
In their varied approaches and techniques, these individuals speak to ICA’s ethos of artistic experimentation and practice that engages with the social and cultural themes of our time. As artists, writers, and cultural producers, their artwork and criticism expand across themes of popular culture, queer life, kinship & community, and de/construction through the utilization of sculpture, performance, sound, collage, installation, and more.
In this lecture series, we invite you all to engage in conversation with our participants and become a part of an active dialogue that explores the stake of contemporary art in our society and culture.
About the artist
Eric N. Mack (b. 1987, Columbia, MD) lives and works in New York, NY. He received his BFA from The Cooper Union, New York, NY and his MFA from Yale University, New Haven, CT. In 2017, Mack was the recipient of the inaugural BALTIC Artists’ Award selected by artist Lorna Simpson and completed the Rauschenberg Residency in Captiva Island, Florida, FL and an artist-in-residency at Delfina Foundation in London, UK. Institutional solo exhibitions include In austerity, stripped from its support and worn as a sarong, The Power Station, Dallas, TX (2019); Dye Lens, Scrap Metal Gallery, Toronto, Canada (2019); Lemme walk across the room, Brooklyn Museum, NY (2019); the BALTIC Artists’ Award 2017, BALTIC Centre for Contemporary Art, Gateshead, UK (2017); and Eric Mack: Vogue Fabrics, Albright–Knox Art Gallery, Buffalo, NY (2017). Major group exhibitions include Chronorama Redux, Palazzo Grassi, Venice, Italy (2023); The New Bend, Hauser & Wirth, New York, NY (2022); Whitney Biennial 2019, Whitney Museum of American Art, New York, NY (2019); Grace Wales Bonner: A Time for New Dreams, Serpentine Gallery, London, UK (2018); Ungestalt, Kunsthalle Basel, Basel, Switzerland (2017); In the Abstract, Massachusetts Museum of Contemporary Art, Massachusetts, MA (2017); Blue Black, Pulitzer Arts Foundation, St Louis, MO (2017); Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, UK (2016) and Greater New York 2015, MoMA PS1, Long Island City, NY (2015). Mack’s work is in the permanent collections of Albright-Knox Art Gallery; Hood Museum of Art; Rhode Island School of Design Museum ; The Studio Museum in Harlem; and the Whitney Museum of American Art.
Programming at ICA is made possible in part by the Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Arts and the Lise Spiegel Wilks and Jeffrey Wilks Family Foundation. Public and Student Engagement at ICA is supported by the Bernstein Public Engagement Fund, Suzanne Weiss Doft & Jacob W. Doft, Hilarie L. & Mitchell Morgan, and by Dana McDonald Strong & Mark W. Strong.
The Master of Fine Arts program at Penn is focused on the professional development of visual artists. Through workshops, seminar courses, international residency opportunities and interactions with curators, writers and artists, the program provides an open intellectual framework to foster independent methods of artistic research.