The Institute of Contemporary Art and the Stuart Weitzman School at the University of Pennsylvania are pleased to present a lecture with artist and writer, Kameelah Janan Rasheed, whose practice is concerned with the poetics-pleasures-politics of Black knowledge production, information technologies, [un]learning, and belief formation.
This free public lecture is part of a series that gathers distinguished artists, activists, writers, and disruptors whose work engages with the social and cultural themes of our time.
Captioning will be available for this program via Zoom. If you require any other accessibility accommodations such as audio description or ASL interpretation, or have any questions about the program, please contact Brittany Clottey at email@example.com.
About the artist
A learner, Kameelah Janan Rasheed (b. East Palo Alto, CA) is a recipient of a 2022 Schering Stiftung Award for Artistic Research; a 2022 Creative Capital Award; a 2022 Betty Parsons Fellow – Artists2Artists Art Matters Award; a 2022 Artists + Machine Intelligence Grants – Experiments with Google; and a 2021 Guggenheim Fellowship in Fine Arts. Rasheed is the author of five artist’s books: in the coherence, we weep (KW Institute for Contemporary Art, 2023); i am not done yet (Mousse Publishing, 2022); An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019); No New Theories (Printed Matter, 2019); and the digital publication Scoring the Stacks (Brooklyn Public Library, 2021). Her writing has appeared in Triple Canopy, The New Inquiry, Shift Space, Active Cultures, and The Believer. She is an adjunct instructor at the Cooper Union, a Critic at Yale School of Art, Sculpture, and an instructor at the School for Poetic Computation. Rasheed is represented by NOME Gallery in Berlin, Germany.
About this series
The Institute of Contemporary Art and the Stuart Weitzman School of Design at the University of Pennsylvania are pleased to present a series of free public lectures and conversations that connect a group of distinguished artists, filmmakers, activists, and disruptors to the Philadelphia public. In their varied approaches and techniques, these individuals speak to ICA’s ethos of artistic experimentation and practice that engages with the social and cultural themes of our time. In this lecture series, we invite you all to engage in conversation with our participants and become a part of an active dialogue that explores the stake of contemporary art in our society and culture.
Programming at ICA is made possible in part by the Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Arts and the Lise Spiegel Wilks and Jeffrey Wilks Family Foundation. Public and Student Engagement at ICA is supported by the Bernstein Public Engagement Fund, Suzanne Weiss Doft & Jacob W. Doft, Hilarie L. & Mitchell Morgan, and by Dana McDonald Strong & Mark W. Strong.
The Master of Fine Arts program at Penn is focused on the professional development of visual artists. Through workshops, seminar courses, international residency opportunities and interactions with curators, writers and artists, the program provides an open intellectual framework to foster independent methods of artistic research.