For decades composer, visual artist, and curator Carl Michael von Hausswolff has combined recording devices (camera, tape deck, radar, sonar) with a fascination for electricity. This work proposes a new understanding of where the boundaries delineating our bodies, minds, and spirits lie.
Signs of Life: Process and Materials 1960–1990, installation view, Institute
of Contemporary Art, University of Pennsylvania.
Signs of Life: Process and Materials 1960–1990, installation view, Institute
of Contemporary Art, University of Pennsylvania.
Signs of Life: Process and Materials 1960–1990, installation view, Institute
of Contemporary Art, University of Pennsylvania.
Signs of Life: Process and Materials 1960–1990, installation view, Institute
of Contemporary Art, University of Pennsylvania.
Carl Michael von Hausswolff in ICA@50: Pleasing Artists and Publics Since 1963,
installation view, Institute of Contemporary Art. Aaron Igler/Greenhouse Media.
Carl Michael von Hausswolff in ICA@50: Pleasing Artists and Publics Since 1963,
installation view, Institute of Contemporary Art. Aaron Igler/Greenhouse Media.
Carl Michael von Hausswolff in ICA@50: Pleasing Artists and Publics Since 1963,
installation view, Institute of Contemporary Art. Aaron Igler/Greenhouse Media.
