Introducing Tony Conrad: A Retrospective marks the first large-scale museum survey devoted entirely to pieces originally presented by the artist in museum and gallery settings. A pioneering artist who helped define American avant-garde in the 1960s and challenged barriers between different mediums through radical deconstruction and experimentation, the exhibition offers a unique opportunity to experience six decades of Conrad’s work. Exhibiting a wide range of seminal pieces, the presentation will expand and deepen an understanding of his experimental and ground-breaking practice, which is primarily associated with his contributions to minimal music and structural film in the 1960s. Bringing together sculpture, painting, film, video, performance, and installation, Introducing Tony Conrad will create a sensory experience that invokes the participatory and performative approach of the artist. Spoken, written, and performed introductions originally created by Conrad to help frame screenings and presentations will be woven into the space, creating a level of active engagement that breaks down and invites an unprecedented reexamination of the boundaries between artistic categories.
The presentation at ICA will create a unique experience that will feature new audio and video footage that has never before been released to the public. Introducing Tony Conrad: A Retrospective is organized by the Albright-Knox Art Gallery with the support of the University at Buffalo Art Galleries. It’s presentation in Buffalo was organized by Chief Curator Cathleen Chaffee, Albright-Knox Art Gallery, and Senior Curator Rachel Adams, University at Buffalo Art Galleries, with Assistant Curator Tina Rivers Ryan, Albright-Knox Art Gallery. Organized at ICA by Daniel and Brett Sundheim Chief Curator Anthony Elms.
This exhibition is organized by the Albright-Knox Art Gallery, Buffalo, NY. The exhibition has been made possible through the generosity of Galerie Buchholz, Berlin/Cologne and Greene Naftali, New York. This exhibition has been made possible at the Institute of Contemporary Art thanks to support from Charles X Block, Carol & John Finley, Marjorie & Michael Levine, Allison & Neil Rubler, Patricia & Howard Silverstein, and Caroline & Daniel Werther. Support for visiting artists has been generously provided by the Sachs Contemporary Art Fund. Exhibitions at ICA are supported by Stephanie and David Simon.