Meredith Sellers of Hyperallergic recalls her experience with Jumatatu Poe’s “Let ‘im Move You: A Study” (2013/16) and “Let ‘im Move You: This is a Success” (2016) as part of Endless Shout:
“The group danced out of the gallery to a remix of Beyoncé’s “Sorry,” heading onto the landing, lassoing with their arms as they moved down the ICA stairs and into the lobby. The performance was boundless, breaking the fourth wall, transgressing the space of the stage, then the gallery, and ultimately the viewer’s voyeuristic pleasure.”