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Mondays with Milford

Image courtesy of the artist.

Bi-weekly screenings of rare digital footage from Milford Graves’s archives will be shown throughout the run of the exhibition, along with additional video selections and dialogues that contextualize Graves’s practice. The themes and dates for each digital release are listed below.

Screenings begin at 6PM and will remain online until the next program begins. All programs will be conducted virtually.

Screening Schedule

September 28 – Introduction Part 1: Speaking in Tongues

October 12 – Introduction Part 2: Festac ’77

October 26 – Research and Investigation: Heart Music

November 9 – In Performance Part 1: Collaborative Projects

November 23 – In Performance Part 2: Solo Work

December 7 – Encounters in Japan: Min Tanaka

December 21 – The Botanist: Graves in the Garden

January 4 – The Griot: Performative Lectures

January 18 – Yara Martial Arts Movements: Healing Arts

Now Screening

Family Reunion – Americans at Festac (1978)

In 1977, Black artists (painters, poets, dancers, and musicians) converged on Lagos, Nigeria on January 15th, the birthdate of the late Reverend Martin Luther King Jr., for a homecoming known as Festac ‘77. For those in attendance, in particular Black Americans, the occasion marked a long-awaited reunion with a culture, language, and tradition taken from them through enslavement. Despite the circumstances thrust upon them, Black people from across the Americas persevered and remained connected to their African heritage rooted in a collective sense of identity. This dynamic is visible throughout the film from the opening chants of “We are an African people…Africa is one…Africa is blackness, blackness is supreme.”

The film is punctuated with performances by Milford Graves, Miriam Makeba, Nadi Qamar, and various dance ensembles, theater companies, and gospel choirs. What is particularly striking is the relationship between artistic and religious modes of expression that mesh African, Latin, and American cultures into one. The blending of disparate forms–Oshun and Jehovah, gospel hymns and spiritual chants, jazz/R&B and African drumming–is testament to Black people’s resilience and their ability to hold on to the remnants of their cultural identity under the most severe conditions.

Directed by Dick Young and Gerald Krell
Narration by Schyleen Qualls
Runtime: 35:57